Archive for the 'musical' Category

04
Dec

“Panic at the disco”

It’s a theater night on Broadway.  That means that an uncommon amount of people converge on the subway platform at practically the same time, somewhere around 10:30 pm. Most of them are excited about a play they just saw. Some are semi-intoxicated after a midtown bar crawl.

The ubiquitous subway performers know this. They gather on the stations around the Theater District to perform. From peruvian flute bands, that guy who dances salsa with a doll, some failed opera singers and the Juilliard rejects, they are all out tonight. You can say they are playing On Broadway; or more precisely, Under Broadway.

My luck brings me that night to the platform with the old japanese guy playing the kokyu, a sort of string instrument that sounds as if somebody is slowly ripping apart your small intestines with each movement of the bow.  By comparison, the Scottish bagpipes sound heavenly.

He looks at me, and smiling he asks “ling ma bel?”. I smile back and take my cell phone out to play the only free game I have there. I really don’t fully understand how to play it, but at least people think I am occupied with something and usually don’t talk to me. “ling ma bel, yes?” he asks again. I nod and look down at the tiny spaceships on my cell phone screen.

And then the “tooooooooooot tweeeeeeeeeeeet tweeet, tweeeeeeeeeeet tooooot theeeeeeet” begins. I finally recognize the melody: it’s “Ring my bell”, that disco hit from the 70s. People begin to gather around the old man.  A small crowd dances and claps… And they said disco was dead. I wonder how many of them know that “Ring my bell” is an euphemism for something sexual (do you know what it is?).

One of the very enthusiastic dancers/clappers gets a bit too close to me and my cell flies off all the way to the bottom of the slimy, dark tracks. I just stand there looking down at it, while immediately, a subway employee appears carrying something that seems to be a robotic arm.  He tells me “don’t worry bud, I’ll get that for ya”.  Looking at the puddle of black goo and rat poo where my phone rests I tell him not to worry, but he replies they have to get it out of there for security reasons. So he catches it and tries to give it to me.  I look at the him, look at the dripping phone, get my winter gloves out of my jacket and grab the thing with them. Thanking him, I walk to the nearest trash can and throw the phone and the gloves in… That bell will never ling again.

∞∞∞

16
Jul

“Bamba karma”

Karma is defined as the sum of a person’s actions in the past, viewed as deciding his/her fate in the future. This could also be applied to a country, which is, after all, a very large group of people.
It is a historic fact that Mexico lost a big part of its territory to the US. So now, New York has to pay part of this karma by putting up with the Bamba Karma. Yes, the Bamba Karma is a new form of terrorism, worse than suicide attacks or chemical weapons: it’s musical terrorism.
It comes when you least expect it, and it works like this: The terrorists, usually disguised as a trio and armed with an accordion and big charro hats, come in the subway car where you are and play an endless rendition of La Bamba:
Para bailar la bamba, para bailar la bamba, arriba, arriba”. That’s all they sing. Nothing more. An endless loop designed to drill into your head and stay there.
They demand money for this. They know we are trapped in the subway car and we have nowhere to run. “Para bailar la bamba, para bailar la bamba, arriba, arriba”. They will find which train you are in, and right before its doors close, jump right in. With faces full of sadness that contradict how cheery this song originally was, they begin: “Para bailar la bamba, para bailar la bamba, arriba, arriba”.
“Arriba, arriba”, that’s were I want to run to right now. Unfortunately the doors are closed and I am trapped for now, abajo, abajo.

They got you now: The Bamba will be stuck in your head for the rest of the day.

∞∞∞